Brooke Horan Williams
Brooke Horan Williams

Brooke Horan Williams Talks About the Primary Differences Between Theater and Screen Acting

An acting career comes under the heading of performing arts. Performing arts is described as forms of creative art in which the artists perform in front of audiences and use their bodies, voices, or objects to show artistic expression. Some examples include singing, dancing, and acting. Brooke Horan Williams has been doing theater since she was 6 years ago, and in this article, she talks about the primary differences between theater acting and screen acting.

While performing in films and television may seem effortless, Brooke Williams says, it’s a lot different than performing live in front of a theater. One of the biggest differences between screen acting and stage acting is that in the theater, the audience is farther away from the stage. When acting for films and television, the camera is much closer and can capture many more facial expressions. Because of this close-up perspective, she says, actors on film and television need to have more controlled movement and completely natural gestures since every expression can be seen. Stage actors, on the other hand, need to exaggerate their gestures, facial expressions, and movements so they can be seen from all areas of the audience.

Another big difference, says Brooke Horan Williams, is that stage actors don’t have the ability to fix their mistakes. With screen acting, directors can stop the action at any time and ask to have a scene repeated. This is not the case in theater acting in front of a live audience where the actors have only one opportunity to get it right. In fact, this is another skill a stage actor needs to have: the ability to improvise on a moment’s notice. Brooke Horan Williams says that many times things will go wrong when performing onstage in front of an audience. At that point, the actors need to continue in character, just as if nothing is wrong. This requires quick thinking on their feet and the ability to just keep going. Some things that happen, Brooke Horan Williams explains, are things like wardrobe malfunctions, set props falling over, or forgotten lines. “It happens all the time,” she explains, “and we just work it right into the play as if it were a part of the script.”

It probably goes without saying that successful actors must be able to act. Whether self-trained or a graduate of a drama school, actors must be able to portray believable characters in a manner that connects with the audience. Brooke Horan Williams says one of the major differences that most people don’t consider is the difference in preparation time for actors. For example, with screen acting, the set is often busy and the pace extremely active. The actors may be expected to learn a new set of lines on a moment’s notice or perform any scene out of order due to budget concerns, staffing issues, or inclement weather. For these reasons, screen actors are expected to come to set ready to work. On the other hand, Brooke explains, the pace for stage actors is a lot slower. Actors are allowed time to practice and often learn most of their scripts during rehearsals. By the time they perform publicly, they have practiced many times.

Some of the best actors are able to transition easily between the two venues, she adds, since many of the same skills are needed. However, knowing the differences between the two is necessary to help prepare the actor for a successful career.

Brooke Horan Williams has been involved with theatre as long as she can remember. At the age of six, Brooke Horan Williams starred in her first school play as Snow White, and ever since, she’s been passionate about the stage.
After graduating from college, Brooke Horan Williams began her career in stage management, pursuing her passion as soon as she was able. Brooke Horan Williams’ love of acting translates to her hobbies, as she spends most of her free time taking in films and television. Brooke Horan Williams is proud to be involved with her local theatre and has recently started auditioning for film and television.

Brooke Horan Williams

Brooke Horan Williams Offers Tips on How to Start an Acting Career

As a stage manager, Brooke Horan Williams says one of the most common questions she is asked by newcomers is how to start an acting career. “To understand how to perform well,” she says, “let’s start by looking at what acting is.” Whether for theatre or film, acting is the art of performing for an audience. It’s taking a 2-dimensional character and turning it into a real-life person, believable in every aspect. There are a few things someone can do to increase the chances of success, she adds. In this article, we’ll discuss some of the things one can do to enhance their future acting career.

Start Early:

Start learning all you can while you’re still in school with musicals and plays, she begins, and participate in anything you can, such as local theatre, drama clubs, student films, acting workshops. From there you can progress to regional activities like performing in theme parks and other live events. “There are great networking opportunities when you are in groups like these,” she adds. “Plus, you’ll learn just by watching and listening.” Brooke Horan Williams recommends participating in everything that you can put on your resume. This becomes part of the valuable experience that casting directors are looking for.

Develop Skills on Your Own:

Even though acting is about interaction with other people, there are things you can do on your own, even prior to formal training. Brooke Horan Williams talks about the importance of reading and studying everything you can about acting as early as possible. There are many great websites and books out there about acting techniques, the history of acting and about the industry itself. These will introduce you to the different approaches to acting and give you some great ideas about how to perform your character like a professional.

There are many resources to choose from, she adds. Sites like BackStage have good casting tips and industry news. However, Brooke Horan Williams, says it’s difficult to just name one. She recommends starting with sites like PerformerStuff which has acting tips and samples of monologues to practice with. Websites like Actor’s Forum and ActorPoint are other sites with tons of tips and links to additional information you can study. Another huge online resource is Acting Is which includes weekly podcasts on various acting topics.

One skill you can definitely do on your own is to get exposed to various forms of acting. Watch great actors on film and theater and analyze body mechanics such as rhythm, posture, and movement. See if you can identify the method the actor is using. Study specific movement techniques and practice in front of a mirror.

There are other skills you can acquire on your own, she explains. These are of lesser importance but go along with acting. These include performing skills like dancing, playing a musical instrument, taking voice lessons, and other skills like horseback riding, stage fighting, and martial arts. Finally, you’ll need the ability to memorize lines. You can do this by searching online techniques, get some quality monologues and begin practicing in front of a camera. “There are a number of great techniques to learn this,” Brooke Horan Williams says. “It doesn’t really matter which one you start with.”

Get Professional Training:

For the best training in becoming an actor, you’ll need to go to acting classes or drama school. Here is where you’ll learn the art and craft of the profession along with professional methods and techniques that will last you a lifetime. “Drama schools will introduce you to so much more than you can get on your own,” Brook Horan Williams says. “The networking alone is invaluable.”

This is just the tip of the iceberg, Brooke Horan Williams says. This is a huge industry and there’s so much to learn. “I love to help newcomers break into the business,” she adds.

Brooke Horan Williams has been involved with theatre as long as she can remember. At the age of six, Brooke Horan Williams starred in her first school play as Snow White, and ever since, she’s been passionate about the stage.

After graduating from college, Brooke Horan Williams began her career in stage management, pursuing her passion as soon as she was able. Brooke Horan Williams’ love of acting translates to her hobbies, as she spends most of her free time taking in films and television. Brooke Horan Williams is proud to be involved with her local theatre and has recently started auditioning for film and television.

Brooke Horan Williams Talks Television Spin-Offs

Brooke Horan Williams dives into some of the best (and worst) TV spin-offs of all time.

The television spin-off is a time-honored tradition: when a show is particularly successful, it would be a mistake not to think about how best to possibly capitalize on its popularity. Sometimes this train of thought results in genius, and success that outstrips the original. Maude, Good Times, and The Jeffersons, for example, are three classics that all spun off from the same show, All in the Family. Just because a show is being spun off from a certified hit, however, doesn’t mean you’ve automatically got television gold on your hands (Brooke Horan Williams thinks of Young Sheldon in this case, and probably never in any other for the rest of her life).

When it comes to more recent successes, Brooke Horan Williams points to Daria as an example of a spin-off that was able to find its own unique voice totally separate from its progenitor. First appearing as a character on the MTV classic animated show Beavis and Butthead, Daria’s solo outing couldn’t be more different from the show she originated in. While Beavis and Butthead were famous for their extreme, manic energy and gross-out humor, Daria took a more nihilistic, ironic approach to humor.

The ‘90s weren’t all great for spin-offs, however. In 1995, Baywatch Nights first aired and ran until 1997. Retaining the star power of David Hasselhoff just wasn’t enough to save this insane spin-off. The concept was a simple one, at first: the show traded the sunny beaches for the nightlife, with David Hasselhoff becoming a private detective after the sun goes down. After one season, the format was flipped on its head, and they began introducing paranormal mysteries into every storyline (very much akin to X-Files, but nowhere near as good). Brooke Horan Williams urges anyone to look up the intro to this show on YouTube, as it will definitely provide you with a healthy dose of entertainment.

Perhaps one of the most well-known spin-offs in recent years, Brooke Horan Williams points out, is The Colbert Report. Spun off from The Daily Show, The Colbert Report gave comedian and reporter Stephen Colbert his own show that ran in the timeslot after The Daily Show for years. In the show, Stephen Colbert portrayed a fictional version of himself and satirized political punditry (in particular, Bill O’Reilly was named as an enormous influence on the Colbert character, with Colbert referring to him as “Papa Bear”).

The show was nominated for four Emmys during its first year on air and was nominated every year it was on the air thereafter. The Colbert Report won the Emmy for Outstanding Variety, Music, or Comedy Series in 2013 and 2015, beating The Daily Show and ending its winning streak, which was the longest in Emmys history. It’s safe to say that the success of this show led Stephen Colbert—out of character, this time—to become the host of The Late Show in 2015.

There is solid proof that spin-offs can be as good, if not better than than the original shows they were spun off from. However, Brooke Horan Williams pleads, no more Young Sheldons.

 

Brooke Horan Williams

Brooke Horan Williams: Cats Review Rundown

Brooke Horan Williams corrals her favorite take-downs of the newly-released musical.

AUSTIN, TX / ACCESSWIRE / January 9, 2020 / Since the first trailer was released, Brooke Horan Willams‘ hopes have not been high for this stage-to-screen adaptation. Cats, the Andrew Lloyd Webber musical, first premiered 38 years ago in the London Theatre in 1981 where it ran for 21 years. It ran on Broadway for 18 years, and between the two runs, had a combined 16,434 performances. Whatever your opinions may be concerning the content of the show itself, there’s no contesting that it has been a wildly successful endeavor, and will go down in history.

Hollywood Reporter: “Cat-astrophic.”

LA Times: “‘Cats’ is both a horror and an endurance test.”

Boston Globe: “My eyes are burning. Oh God, my eyes.”

The movie might be going down in history as well, but for wildly different reasons. Brooke Horan Williams reveals the review embargo on the film has been lifted, and the critic reaction to the star-studded adaptation has not been kind.

By all means, it sounds like a recipe for success: take a long-established, successful Broadway hit, add a hard-hitting cast comprised of both contemporary celebrities and legendary auteurs, spice it up with modern-day special effects, and you should have an easy hit on your hands. Unfortunately, it seems like the 2019 cinematic revival of Cats is more litterbox worthy than box office hit.

Reviews have been absolutely scathing, and Brooke Horan Williams is finding more entertainment in them than she assumes she’ll find in the movie. Den of Geek calls it “One of the weirdest and most garish monstrosities to be birthed out of the Hollywood studio system in this century.”

Screen Junkies says that it’s “A spectacular disaster…This movie feels like a prank but I don’t know on whom.”

At least part of the issues audiences seem to be having with the film deal with the CGI implemented in order to create the illusion of the actors being cats. Eschewing the garish costumes of the stage show, the cast has had their faces digitally inserted on strange, computer-animated bodies that are half-cat, half-person.

Brooke Horan Williams can’t help but be extremely disappointed with how Cats wastes its incredible cast: Ian McKellen, Idris Elba, Jason Derulo, Taylor Swift, Dame Judy Dench, Jennifer Hudson-the list goes on, but sadly, it appears none of this star power was enough to save the quality of this ill-advised remake.

The Daily Telegraph reported in, “Glad to report that Cats is everything you’d hoped for and more: a mesmerizingly ugly fiasco that makes you feel like your brain is being eaten by a parasite. A viewing experience so stressful that it honestly brought on a migraine.”

Not to be outdone, The New York Times chimed in, “It’s amazing to see what Adult Swim can accomplish with a $100 million budget. I never knew Tom Hooper was capable of making a surrealist nightmare that would rival Jodorowsky, that could baffle David Lynch, that would prompt even the dark god Cthulhu to emit an impressed eldritch shriek of ‘nehehehehehe'”

Perhaps most succinctly, The Beat claims: “Cats is the worst thing to happen to cats since dogs.”

Brooke Horan Williams: Screen to Stage to Screen

Brooke Horan Williams takes a look at some of her favorite silver screen adaptations of stage hits based on movies.

It’s more common than you’d think, Brooke Horan Williams tells us: a classic movie is considered prime material for a stage adaptation, which then inspires a movie version of the musical. This odd, recursive method of producing shows may seem uninspired on the surface level, but as Brooke Horan Williams teaches us, this spiral of inspiration can lead to the best possible versions of a story.

 Brooke Horan Williams begins with perhaps the most famous example of this sort of roundabout inspiration: The Producers. The Producers was originally a Mel Brooks film released in 1967, starring Gene Wilder (best known today for his role as the original Willy Wonka) and Zero Mostel (himself a legitimate broadway star, starring in productions such as Fiddler on the Roof and A Funny Thing Happened on the Way to the Forum). The film’s plot revolves around a washed-up Broadway producer (Mostel) who attempts to commit fraud with the help of an accountant (Wilder) by producing the worst possible play imaginable, thereby taking advantage of an auditing loophole. Unfortunately, the play becomes a massive hit and classic Mel Brooks style antics ensue. 

As the plot revolved around a Broadway musical already, Brooke Horan Williams points out, this show was a perfect choice to be adapted to the stage. Mel Brooks himself oversaw the stage adaptation and in 2001, The Producers made its Broadway debut. With legendary actors Nathan Lane and Matthew Broderick taking over the lead roles, the play was a smash hit and inspired the film adaptation. The movie was released just a few years later in 2005, retained Nathan Lane and Matthew Broderick as the lead roles and added Will Ferrel to the cast as well.

Brooke Horan Williams goes on to list Hairspray as another example of this phenomenon. The original movie was released in 1988 by John Waters and follows the story of Tracy Turnblad, played by Riki Lake, as she auditions for a dance show on a local television show and rallies her community against racial segregation. 

The movie was considered successful among fans and critics, but the Broadway show it inspired was arguably even more so. Hairspray debuted on Broadway in 2002, was nominated for 13 Tonys in 2003, and won 8 of them, including one for Best Musical. The stage show, in turn, was adapted to film in 2007. The movie version of the musical stage show added recognizable star power, with a cast that included John Travolta, Michelle Pfeiffer, Christopher Walken, Queen Latifah, Amanda Bynes, and more. The movie also gave Nikki Blonsky her film debut as the main character, Tracy Turnblad.

Brooke Horan Williams gives one final example: Little Shop of Horrors. The original movie, titled The Little Shop of Horrors and released in 1960, was a black-and-white dark comedy that revolves around a man-eating plant. The musical stage show, Little Shop of Horrors, first released in 1982 and inspired the 1986 film, which starred comedy legend Rick Moranis as the main character, See https://www.pinterest.com/brooke_horan_williams/ymour Krelbourne. All three are dark comedies, yet have very different endings, Brooke Horan Williams points out: the original ends with Seymour sacrificing himself to destroy the plant, while the stage show ends with the plant devouring everything—including, in an impressive bit of puppetry, the audience. The 1986 movie has the happiest ending, with Seymour destroying the plant without having to sacrifice himself.

At the end of the day, despite directly inspiring their successors, all these shows are unique in their own way, and deserve a watch from any fan of the arts.

Brooke Horan Williams’ Best Shows Canceled Too Soon

It’s a sad fact that in the world of television, shows are often at the mercy of the networks. Despite the audience’s wishes, fan favorites occasionally get canceled before plotlines are resolved, or right as the show is beginning to find its stride. Brooke Horan Williams lists the following shows as perfect examples of tv shows that should have stayed on the air for at least a bit longer.

Futurama is one such show that actually ended up having a long history, albeit full of twists and turns. This is the only show Brooke Horan Williams can think of that has had a full four episodes written as series finales due to the show’s uncommonly turbulent renewal cycle.

During its original run, which began in 1999 at the turn of the century, Futurama was shuffled around time slots by Fox on an almost constant basis. During the course of one year, it ended up in three different time slots and was constantly being preempted for sporting events, with some episodes never being shown. This kind of behavior towards the series continued into its fourth season, with episodes being aired erratically and held over with almost no communication to the audience. In Brooke Horan Williams‘ opinion, this is the sole reason for worsening viewership numbers. During the production of the fourth season, Fox refused to purchase more episodes, leading to the show’s first cancellation.

In 2002, the show was picked up by Cartoon Network for its Adult Swim block along with Family Guy, another canceled Fox show that had received similar treatment. Whereas Family Guy gained renewed interest through the reruns and DVD sales leading to the show being picked up by Fox again (where it remains airing new episodes to this day), Futurama remained in syndication with no new episodes. This, plus DVD sales, helped Futurama become popular enough for four straight-to-DVD movies after Comedy Central began airing reruns in 2005. Eventually, Comedy Central picked up the show for new episodes, where it aired until 2013.

Another show, Brooke Horan Williams points out, that received similar treatment from the Fox network, is Firefly. Created by Joss Whedon, (perhaps best known for Buffy the Vampire Slayer and The Avengers), Firefly could best be described as a sci-fi western in space with an overarching storyline following the crew of a ship. Unfortunately, as already pointed out, Fox was not kind to the show regarding airtimes and even aired episodes completely out of order, which was a death blow for a show with a story that required weekly viewing to fully understand.

Much like Futurama, Firefly gained massive popularity through DVD sales, though unfortunately was never picked back up as a series. Its story was concluded in the film Serenity, released in 2005.

One legendary show that ended far too early, although in this case not because of the network, was Chappelle’s Show. Chappelle’s Show debuted in 2003 and instantly became a national sensation. Brooke Horan Williams points out that the show got too big for the star and writer, Dave Chappelle, to be comfortable with: he was being heckled at stand up shows by people shouting lines from the show and felt he was losing creative control of the process. Because of this, Chappelle himself decided to pull the plug.

Brooke Horan Williams Takes a Look at Upcoming Movies

Brooke Horan Williams judges what’s hot and what’s not this holiday season.

It’s the holiday season, and you know what that means: a veritable ton of movies being released in theaters, including some big-name sequels we’ve all been waiting for. It can be rough going figuring out which ones will be worth your time and preciously-earned ticket money, so Brooke Horan Williams is taking a look at which movies have the potential to be future classics, and which ones will be almost guaranteed box office bombs.

Probably the biggest release on everyone’s mind this holiday season is Star Wars Episode IX: The Rise of Skywalker. This movie will finish out the newest trilogy created under the leadership of new owners Disney, and complete the legendary storyline that began all the way back in 1977 with Star Wars: A New Hope. While there will always be critics of the series—ironically enough, some of the largest and most outspoken critics being the self-professed biggest fans—Brooke Horan Williams believes this latest and final chapter directed by J.J. Abrams is sure to be an entertaining, and hopefully satisfying, end to the series.

Another surefire hit that’s already receiving amazing reviews from critics at pre-release screenings, Brooke Horan Williams urges us to keep our eyes out for Uncut Gems. The Safdie Brothers film releases this Christmas day and stars Adam Sandler in a rare, unexpected dramatic role as a criminal, charismatic New York City jeweler. While Adam Sandler is obviously more well-known for his comedic roles and lowbrow style of humor, the general consensus among reputable critics appears to be that this movie has the potential to be a watershed moment in Adam Sandler’s career, changing the way audiences perceive him and his acting ability.

If you’ve got young children, or just enjoy nice, clean, inoffensive humor, Brooke Horan Williams suggests checking out Spies in Disguise, also releasing on Christmas day. Starring Will Smith, Tom Holland, Rashida Jones, Reba McIntire, among other big names, the cast is definitely impressive and star-studded. Brooke Horan Williams points out the animated feature is evocative of Pixar films, while retaining its own unique style. As the directorial debut of both Troy Quane and Nick Bruno, it’s still too early to tell whether or not it will be a hit or a flop, although early reviews from critics are definitely promising.

When it comes to movies to avoid, Brooke Horan Williams can’t recommend getting excited for the new Dr. Dolittle. The most recent adaptation of the classic story dating back to the 1920s, this version stars Robert Downey Jr. fresh off his tenure as Iron Man in the popular Marvel series The Avengers. Brooke Horan Williams wants to be excited about this movie—after all, it’s a classic character played by a fantastic actor—however, everything about it just seems stale rather than nostalgic. The very thought of CGI talking animals just seems exhausting in Brooke Horan Williams’ opinion, especially after the dismal Lion King remake, and it seems like they’re not doing much to spice it up. Add to the fact that it’s been written and directed by Stephen Gaghan, who was once responsible for the truly awful I Still Know What You Did Last Summer, and Brooke Horan Williams’ hopes are not high for this outing.

These are just a few of the many releases in the coming weeks, so if nothing here has piqued your interest, don’t fret—you’ll be sure to find something that’s up your alley if you do a little digging.

Brooke Horan Williams on the Therapeutic Benefits of Acting

Brooke Horan Williams understands that not everyone will see things from her point of view, or even benefit from her advice in the same way that she has. However, she wants to share her experience for those who are able to take it to heart. Brooke Horan Williams wants to share with everyone she can the therapeutic benefits of acting.

People come from all walks of life, from countless different situations, and everyone deals with their immediate surroundings and stimuli in varying ways. While sharing one’s feelings, frustrations and emotions may come easily to some, others struggle to express themselves in a meaningful way on a daily basis. Brooke Horan Williams was one such person who fell into this second camp.

After discovering the joy of acting, Brooke Horan Williams realized that by understanding and reenacting the emotions of the characters on the written page, she was able to begin working through her own similar feelings that she was experiencing in her day to day life. Her suppressed anger, sadness, joy, and a multitude of other emotions were finally able to be freed through the magic of committing to a script.

It may seem counter-intuitive, Brooke Horan Williams admits: acting out someone else’s words and feelings may appear to some as being extremely non-helpful when it comes to dealing with actual emotions, or in a worst-case scenario, could be seen as hiding behind a mask and actually harming your ability to express your true self.

Brooke Horan Williams assures us that this line of thinking couldn’t be further from the truth: for someone who has struggled a large portion of their life with properly coming to terms with their feelings, being able to work through and understand your character’s intentions can be extremely beneficial in helping you understand your own.

This isn’t just one person’s point of view: there is a professionally recognized practice known as drama therapy that utilizes this school of thought. Drama therapy is defined as “the use of theatre techniques to facilitate personal growth and promote mental health”, according to Wikipedia.

Drama therapy is specifically used to help people work through specific problems—whether it be trying to discover something about one’s self, making a breakthrough about a personality disorder, or any other number of psychological problems. This isn’t exactly the same thing Brooke Horan Williams is referring to, but it proves that the basis for the logic behind it is sound.

Brooke Horan Williams hopes that if you’re going through the same struggles she had, you’ll give acting a shot. It may help more than you think!

Brooke Horan Williams Shares Tips For How to Prepare for a Performance

Whether you’re getting ready to sing your heart out, act in a play at your local theatre, or show off your instrumental skills, there are a lot of good reasons you might feel nervous about getting on stage in front of an audience. Brooke Horan Williams is no stranger to performance anxiety, and being so familiar with it, has come up with a few tips to share with anyone else getting ready to impress a crowd.

First and foremost, Brooke Horan Williams’ most obvious tip for avoiding nerves on opening night: in the immortal words of Scar from The Lion King, “be prepared!” This should be a no-brainer for anyone who’s had to commit to a performance before. Memorize your lines, go over your material, practice, practice, practice. Even if you’re a musician following sheet music, you should be comfortable enough with your material that you know what’s coming next.

If you’re a true performer, aspiring or otherwise, then practicing will already be a major part of your life. Practice should be taking up most—if not all—of your free time. So, what should you do if you’ve already got your performance down pat, but still feel those nervous jitters at the thought of getting on stage? The old advice of picturing the audience in their underwear might be appealing, humorous imagery, but in Brooke Horan Williams’ opinion, it won’t help you out that much.

Try instead, Brooke Horan Williams suggests, any number of breathing exercises beforehand. Learn which ones work best for you, and stick with it as a sort of ritual before every performance. Most breathing exercises are designed to lower your heart rate, therefore forcing your body into a more relaxed state. However, Brooke Horan Williams warns, if your performance requires a certain degree of intensity, you may want to instead attempt to reroute that nervous energy into your performance, rather than mitigating it with calming exercises.

Brooke Horan Williams also suggests putting together a playlist of music that will positively impact your mood. You should custom-tailor the playlist depending on the sort of performance you’re going to be giving, and take some time to yourself with a pair of headphones as a form of meditation. Brooke Horan Williams advises that this is a great way to get in the zone!

Of course, if you’re going to be singing or acting, you’ll want to do some vocal warmups before getting on stage. Consistently practicing vocal warmups will help with your diction, projection, and overall confidence when delivering lines or singing for a crowd. Again, it all comes down to not underestimating the power of practice!

If you habitually feel nervous before, or even during, performances, try not to let it get you down, Brooke Horan Williams says. Being totally comfortable on stage isn’t an easy task to achieve, and it’s something that comes with time. Even some of the most seasoned performers get nerves about performing—the trick is in how you overcome those feelings in order to put on the best show you possibly can.